Tuesday, April 12, 2011
Monday, March 14, 2011
Heberto
| Artist: | Heberto |
| Title: | Vaga Bundo |
| Date: | 2006 |
| Medium: | Acrylics |
| Artist: | Heberto |
| Title: | Los Amigos [Detail] |
| Date: | 2009 |
| Medium: | Acrylics |
| Artist: | Heberto |
| Title: | {the red} |
| Date: | 2009 |
| Medium: | Mixed Media |
| Original Dimensions: | 36" x 36 |
| Artist: | Heberto |
| Title: | Los Nenes |
| Date: | 2009 |
| Medium: | Acrylics |
| Original Dimensions: | 30'' x 40'' |
| Title: | El Antofago |
| Date: | 2008 |
| Medium: | Acrylics |
| Original Dimensions: | 30'' x 40'' |
| ||
| ||
| ||
| ||
| ||
| ||
| ||
|
Thursday, February 24, 2011
Corey Hagberg
| Artist: | Corey Hagberg |
| Title: | "The Shadows Where Crossbones Meet" |
| Medium: | Chemical Transfers,Silkscreened images, ink,acryllic,and applied gesso,one ferry wing |
| Dimensions: | 40"X30" |
| Artist: | Corey Hagberg |
| Title: | Dead Slang Chronicles IV:On Stand By |
| Medium: | Spray Paint, collage, oil enamel |
| Dimensions: | 36"X52" |
| Artist: | Corey Hagberg |
| Title: | "Dead slang Chronicles 1: The Assimilation |
| Medium: | Spray paint, Oil enamel, Ink on Church Blueprint |
| Dimensions: | 36"x65" |
| Artist: | Corey Hagberg |
| Title: | Dead Slang Chronicles 2:On Stand By(purgatory) |
| Medium: | Spray Paint, collage, oil enamel, ink, silk screen, pigeon souls. |
| Dimensions: | 36"X52" |
| Artist: | Corey Hagberg |
| Title: | Humble Beginnings Forgotten Gone |
| Medium: | Silk Screened images, acrylic paint, ink, toner transfers on canvas |
| Dimensions: | 24"x24" |
| Artist: | Corey Hagberg and Dan Moorman |
| Title: | The Symphonic Flatline of Markets Usually Stable |
| Medium: | Spray paint, collaged drawings, acrylic, ink, oil enamel, woodstain |
| Dimensions: | 28"x28" |
|
Wednesday, February 16, 2011
Andrea Vannini
Title: T3Tr|S Theme - Piazza Firenze,Figline Valdarno,Florence (Italy)
Medium: Modern, photography, mixed-media, digital, graffiti/street-art, realism
Dimensions: 100x70
Title: Space Invaders Theme - Via Sarpi,Florence (Italy)
STATEMENT:
Medium: Surrealism, modern, photography, mixed-media, digital, graffiti/street-art, pop
Dimensions: 70x50
Title: God Is a Dj - Via Mannelli,Florence (Italy)
Medium: Abstract, surrealism, modern, photography, mixed-media, digital, graffiti/street-art, conceptual, pop, realism, landscape
STATEMENT:
This is the electronic collage of my life remixed with the urban environment that surrounds me.
A visual blog where even a bench, a building or a road really become part of our daily life.
That’s how i called "Urban Mystification" the digital distortion takes advantage of the others’ reality.
|
|
Tuesday, February 1, 2011
Bruno DANIELE
| Artist: | Bruno DANIELE |
| Title: | Alba di luce |
| Date: | 2008 |
| Medium: | Mixed medium on canvas |
| Dimensions: | 31.52" x 23.64" |
| Tags: | abstract, mixed-media, painting |
| Artist: | Bruno DANIELE |
| Title: | Fuga nel blu |
| Medium: | Mixed medium on canvas |
| Dimensions: | 23.64" x 23.64" |
| Artist: | Bruno DANIELE |
| Title: | Frame |
| Medium: | Mixed medium on wood |
| Dimensions: | 33.49" x 33.49" |
| Artist: | Bruno DANIELE |
| Title: | Rifugio |
| Medium: | Mixed medium on wood |
| Dimensions: | 19.70" x 19.70" |
| Artist: | Bruno DANIELE |
| Title: | O' scià |
| Medium: | Mixed medium on wood |
| Dimensions: | 19.70" x 19.70" |
| Artist: | Bruno DANIELE |
| Title: | Ad est |
| Medium: | Mixed medium on wood |
| Dimensions: | 70.92" x 51.22" |
|
|
Bruno Daniele was born at Alba, Italy, in 1948.
He gets his diploma in advertising graphics in Turin and he follows nude courses at Pippo Bercetti’s studio. After that, for his engraver activity, he attends the Chalcography School at the Accademia Raffaello in Urbino. After his figurative works of the beginning (1960s/70s), part of a socially and ecologically committed painting, where the figures of social outcasts became the protagonists, Daniele in the early 1980s chooses an informal matter painting. He follows a research path (Exhaust Lands) which, under the influence of Burri and his fellow-citizen Gallizio, makes him use the most different materials, such as jute, cardboard, tar, polystyrene, oxides, epoxidic resins.
The beginning of the 1990s coincides with the painter’s full maturity.
Daniele is essentially a restless artist: he enjoys researching and he is really motivated by his need of experimenting. He thinks his artistic cycle from 1980 to the early 90s is over by now. He doesn’t refuse matter for sure but his operating ways have changed. He doesn’t use any more cardboard, jute and polystyrene collages, which he thinks are rather limiting his gestures. He operates in a less craftsman-like way.
His works always start from a project, but he leaves more room to action. He starts a new trend called “Matter movements”, where he also experiments using round shapes and triptychs. In fact the matter movements, the strongly gestural painting, the colour desecrated by black slashes, and yet exalted by little hope openings, represented by the cracks, by the white spaces, are the characteristics of this artist’s works.
He gets his diploma in advertising graphics in Turin and he follows nude courses at Pippo Bercetti’s studio. After that, for his engraver activity, he attends the Chalcography School at the Accademia Raffaello in Urbino. After his figurative works of the beginning (1960s/70s), part of a socially and ecologically committed painting, where the figures of social outcasts became the protagonists, Daniele in the early 1980s chooses an informal matter painting. He follows a research path (Exhaust Lands) which, under the influence of Burri and his fellow-citizen Gallizio, makes him use the most different materials, such as jute, cardboard, tar, polystyrene, oxides, epoxidic resins.
The beginning of the 1990s coincides with the painter’s full maturity.
Daniele is essentially a restless artist: he enjoys researching and he is really motivated by his need of experimenting. He thinks his artistic cycle from 1980 to the early 90s is over by now. He doesn’t refuse matter for sure but his operating ways have changed. He doesn’t use any more cardboard, jute and polystyrene collages, which he thinks are rather limiting his gestures. He operates in a less craftsman-like way.
His works always start from a project, but he leaves more room to action. He starts a new trend called “Matter movements”, where he also experiments using round shapes and triptychs. In fact the matter movements, the strongly gestural painting, the colour desecrated by black slashes, and yet exalted by little hope openings, represented by the cracks, by the white spaces, are the characteristics of this artist’s works.
Subscribe to:
Posts (Atom)